Surrealism-Plays is a site devoted to the history and creative works of the Surrealist Movement, as well as the anti-tradition of avant-garde theatre.
THE BELGIAN SURREALISTS
Belgian Surrealism emerged with the publication of Correspondance in 1924, the same year as Breton's First Manifesto. The periodical was printed on different colored fliers and featured critiques of many of the French Surrealists' writing and philosophies. Other periodicals published by the group during the 1920s included OEsophage, Marie and Distance. (For further descriptions of these publications, please click here to visit our Periodicals page).
The Belgian Surrealists were on a mission to "put the real world on trial" and to challenge traditional ways of thinking. Key participants included E.L.T. Mesens, Paul Nougé, René Magritte, Camille Goemans, Marcel Lecomte and, a bit later, Marcel Mariën.
Several members of the Belgian Group interacted and collaborated with the French Surrealists. In fact, both Nougé and Magritte are featured in the famous 1929 photomontage of the French Surrealist members with their eyes closed, printed that year in Le Révolution Surréaliste.
Recommended Reading:
Surrealism in Belgium 1924-2000 by Xavier Canonne
René Magritte
E.L.T. Mesens
Already the wax mannequins invade the libraries
Women walk like wet flags
The insane hand out the image of their mind
At the doors of disused churches
from Proclamation (1934) by E.L.T. Mesens
Paul Nougé
Understanding of Nature
from Optics Unveiled (1924)
by Paul Nougé
The keyhole projects a ray across this nocturnal darkness. On a table whose form one can just make out, a bottle becomes evident. The bottle lights up vividly and one can see the sparkling of the liquid; it is a blue liquid.
The bottle and the light are alone on the table.
The light merges curiously with the blue water in the midst of an incomparable silence. Then a patch of brightness, a patch veined with red, reveals the wall. Its form is not fixed; it shifts; it could be a changing face. Objects slowly emerge: three roses, a smashed-open wardrobe, a hanging dress, a coat standing out against nothingness. Finally a charming young woman in a low-cut dress who is supervising the experiment and who is holding in her hand, at the end of a hair, a little ball of elder-pith.
Translated by Iain White
Marcel Mariën
Above: The Belgian Surrealist group, including E.L.T. Mesens, Rene Magritte and Paul Nougé.
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